Last year we picked 4K cameras that we thought presented the most value, and then we compared them in our 4K Camera Shootout of 2016. This year, we’re back with the 2017 edition. Continue reading 4K Camera Shootout of 2017 (Part I)
As soon as I got my hands on the V-Log L image profile, I put it through a lot of tests. It is a true flat image profile for the Panasonic GH4 camera, and the upcoming GH5, that allows for the capture of 12 stops of dynamic range, instead of the 10 stops you get with the built-in image profiles of these cameras. The idea of extra dynamic range is exciting, but there is a trick to taking advantage of this additional functionality. Continue reading V-Log L GH4 vs External Recorder
2016 has come to an end and next year is upon us. I wanted to wish everyone all the best in 2017! Also, I wanted to do a recap of the best 4K cameras that I had a chance to use in 2016. Continue reading 4K Camera Shootout of 2016!
In today’s video I am testing and comparing two on-camera condenser microphones from Rode: the VideoMic Pro and the Stereo VideoMic Pro. The VideoMic Pro is already very popular among YouTubers and videomakers. It has also become a must-have for many vloggers – especially those trying to match the quality of the vlogs by the mega YouTuber Casey Neistat. Continue reading Rode on-camera mic comparison: VideoMic Pro vs Stereo VideoMic Pro
Recently I’ve been reviewing shotgun microphones that you typically use on a boompole. Today, I am reviewing two on-camera condenser microphones, the Rode VideoMic Pro and the Azden SMX-10. Continue reading On-camera Microphones – Rode vs Azden