There is no question that RED makes very good cameras – together with Arri, they are the most popular digital cameras among Hollywood and other large budget productions. Unsurprisingly, though, they are very expensive. Continue reading RED 8K camera for one-third the price… possibly
The KineMAX is one of the few cameras on the market that can shoot in 6K resolution. That’s actually nine times the resolution of standard HD. Beat that 4K!
You might be wondering what’s the point of shooting in 6K, when most of the world still watches in HD or is slowly moving to 4K? Continue reading KineMAX 6K Camera Tests and Review
I had a chance to use a new 3-axis camera gimbal on the last feature film project I worked on. I decided to take this gimbal with me for the shoot because it is smaller and lighter than the DJI Ronin and Moza gimbals. Plus, even though it packs into a small case, it supports cameras ranging from DSLMs (ex. Sony A7s, Panasonic GH4) all the way to the RED Epic. Continue reading AllSteady-6Pro Gimbal Review (after 2 months of real world use)
Move over Canon 5D Mark 3… Sony a7s is the new low light king of cameras! 😉 Continue reading Sony A7S – Camera Buying Guide
Here is another tutorial where I show that shot design is more important than the camera you use. Continue reading Red Epic vs DSLR Camera vs Shot Design