Tag Archives: DSLM

3-axis gimbal, Review

CAME-TV CAME-Mini 3 Camera Gimbal Review

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Today, I am reviewing the fourth and last gimbal in my series of reviews of mid-range camera gimbals, the CAME-Mini 3 (previously I covered the CAME-Argo, Moza Lite 2 and Turbo Ace AllSteady Motion). The CAME-Mini 3 is the lightest of the these gimbals and supports payload up to 2.6 lbs (1.2 kg). By the way, soon I am going to release a video where I will compare these four models side by side. Continue reading CAME-TV CAME-Mini 3 Camera Gimbal Review →

camera stabilizers

AllSteady-6Pro Gimbal Review (after 2 months of real world use)

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I had a chance to use a new 3-axis camera gimbal on the last feature film project I worked on. I decided to take this gimbal with me for the shoot because it is smaller and lighter than the DJI Ronin and Moza gimbals. Plus, even though it packs into a small case, it supports cameras ranging from DSLMs (ex. Sony A7s, Panasonic GH4) all the way to the RED Epic. Continue reading AllSteady-6Pro Gimbal Review (after 2 months of real world use) →

Cameras, Equipment

Is Canon Forgetting Indie Filmmakers?

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When Canon released the 5D Mark II in 2008 and then followed up with the 7D in 2009, indie film and video production was revolutionized. These cameras combined great optics with full HD recording. Just as importantly, their cost was within the reach of many indie filmmakers. The Canon DSLRs were all the rave. Continue reading Is Canon Forgetting Indie Filmmakers? →