CAME-TV Optimus – the successor to my favorite gimbal for DSLR / DSLM cameras

I’ve been a fan of CAME-TV camera gimbals for a while. The CAME-Single has been my gimbal of choice when working with small and mid-sized DSLM / DSLR-type cameras. So, I was excited to try out the CAME-Optimus, the successor of the CAME-Single. Continue reading CAME-TV Optimus – the successor to my favorite gimbal for DSLR / DSLM cameras

Crazy STRONG Variable ND Filter! (11 Stops)

Neutral Density (or ND) filters are indispensable when you want to get a narrow depth of field while filming in very bright light (for example, outdoors on a sunny day). Sometimes you can’t or don’t want to make the shutter go fast enough to open the aperture up all the way. That’s when you need an ND filter. Unfortunately, these filters are usually expensive. Continue reading Crazy STRONG Variable ND Filter! (11 Stops)

Atoch C2S CFast to SSD Hack for Blackmagic URSA and URSA Mini Cameras

Since CFast cards are still expensive, people are still looking for more affordable ways to record on BlackMagic URSA and URSA Mini camera. Here is a hack (although the manufacturer calls it a “solution”) for fooling the camera that it is recording to CFast cards, but actually recording to SSDs. Continue reading Atoch C2S CFast to SSD Hack for Blackmagic URSA and URSA Mini Cameras

Best tools for calibrating the colors of your monitor

Continuing with the series covering equipment that help you color grade, today we’re talking about tools specifically designed to calibrate colors of computer monitors. Here we review two top-sellers from X-Rite and Datacolor. Continue reading Best tools for calibrating the colors of your monitor

Filmmaking Tips and Tutorials