All posts by Lukasz Antos

“The Interview” and the Future of Film Distribution

Due to the exceptional circumstances of the film “The Interview”, this conventional Hollywood production is being distributed in an unconventional way. As those of you in the U.S. have probably heard, the film became available simultaneously online and in movie theatres.

This distribution strategy – called a day-and-date release in industry jargon – has been often discussed, but never attempted on a big Hollywood title. And so “The Interview” has become a great test case for such a strategy. So far, though, the test results point to a failure. Continue reading “The Interview” and the Future of Film Distribution

How To Do Action – Jackie Chan Style

Tony Zhou has posted a great video on Vimeo analyzing action scenes done by Jackie Chan. The fact that Chan leads a great stunt team is a given, but Zhou makes very interesting points about directing and editing fighting scenes. He compares how Jackie Chan’s fights come out in Hollywood versus Hong Kong films. Continue reading How To Do Action – Jackie Chan Style

“Swingers” And What It Means To Be A Serious Filmmaker

For those who don’t know, “Swingers” is a 1996 low-budget indie film directed by Doug Liman and starring Vince Vaughn and Jon Favreau (who also wrote the script). Actually, all three filmmakers were unknown at the time and it was this film that brought them fame. Continue reading “Swingers” And What It Means To Be A Serious Filmmaker

How A Film With Out-of-focus Shots Won An Oscar In Cinematography

It is natural for filmmakers to be a bit obsessive about the technical aspects of their films. We all want our work to be as close to perfection as possible. That is fine, but only as long as we don’t lose the big picture, which is to tell an entertaining story. The truth is, if you absorb your audience in the story, the technical mistakes will be forgiven, or they might even go unnoticed. A good example of this is the Oscar-winning “Braveheart. Continue reading How A Film With Out-of-focus Shots Won An Oscar In Cinematography