Why you want to shoot flat and then colour-correct in post

The makers of the indie feature “The House On Pine Street” have posted a great video on Vimeo showing the importance of colour correction when shooting digitally.

As is good practice, the filmmakers used camera settings that produced flat images, but retained the greatest amount of information for manipulation in post. To find out more, please read Robert Hardy’s article at nofilmschool.

Leave a Reply

Your email address will not be published. Required fields are marked *